Share with friends:

As I’ve started picking up my photography work again, I’ve spent a lot of time spelunking through my hard drives — and today I discovered another six months of images stashed off to the side. A bunch of portrait sessions from over the years.

While teaching the other night, Yousuf Karsh came up, and that got me thinking about black-and-white portraits. I developed a bunch in black and white, using an aproach that I have used for years. But I felt some just weren’t black and white enough.

A few YouTube videos later, I was combining bits and pieces of multiple techniques to create something that felt…well, like something.

Part of me wonders if it’s a little too much — maybe too much contrast. Part of me thinks it’s just the image I selected for this experiment. And part of me realizes I’ve been staring at it too long.

So, I’m sharing it here, curious to hear your thoughts: do you like it?

Go back

Your message has been sent

Choose an option(required)

Warning
Warning.

Share with friends:

Mike Dooley

Mike is a photographer, storyteller, and educator who sees the world through a lens of transformation. His work blends technical mastery with emotional depth—inviting viewers to not just see, but feel. Whether guiding learners through the art of visual storytelling or capturing the quiet poetry of Rhode Island’s landscapes, Mike creates spaces where vulnerability meets clarity. He’s the author of Through My Eyes and the voice behind Behind The Print, a podcast that explores the heart behind the image.

Leave a Reply

Close Menu