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Ever come home from a trip, scroll through your photos, and think: Huh… these look more like postcards than the magic I remember seeing? Don’t worry, you’re not broken — your photos are just missing depth. The secret? Build your shots in layers.

Now we aren’t talking about Photoshop layers, although when it does come to Photoshop I also strongly recommend building with layers. No, these layers sections, or regions of your photograph. Foreground, middle ground, background. Layers.

Pink skies over Nokomis Beach, Florida, with gentle waves and soft sand, perfect for vertical photography inspiration.
Sometimes the sky just begs for a vertical shot—pink skies over Nokomis Beach create the perfect moment to get closer to your scene and shoot tall.

The Problem: Flat as a Pancake

Without depth, your photo looks like a single sheet of paper — no sense of distance, no invitation to step into the scene. Just… flat. Like your uncle’s 1973 vacation slides that everyone politely yawned through after dinner.

The Solution: Stack Your Scene

Look at your viewfinder and break the scene into three zones: foreground, middle ground, background.

  • Foreground pulls the viewer in (a rock, a dune, a puddle).
  • Middle ground gives them somewhere to stand (a wave, a tree, a path).
  • Background ties it together (sunrise, mountains, horizon).

When you consciously build in layers, your photo stops being a postcard and starts being an experience.

Pro Tip Alert!

Behind the Shot

So many scenes lend themselves to shooting in layers! Try it out yourself, just look around your room. What do you see? Say their names out loud, pick the characters that you want in your movie. Arrange them in the scene, build relationships between them! Vertical shooting and creating layers in your images will significantly in prove your photography!

Get the Gear: What I Use

I am a huge fan of graduated neutral density filters to help take my skies, and neutral density filters to darken the entire frame, helping me create my long exposures!

Pro Tip Alert!

You don’t have to stop at just 3 layers. You can have several foregrounds, several middle grounds, and many objects making up background layers.

Try It Yourself

Next time you’re out shooting, don’t just point at the horizon. Hunt for a foreground object — a log, footprints in the sand, even a tidepool. Layer that with your middle and background, and suddenly you’ve got a story in three acts.

Discover the Depth

Layers turn a flat image into an immersive experience. Add a print of one of my layered landscapes to your wall and feel the depth every time you glance at it—your space becomes a window into another world.

Dive deeper into the lessons and stories with my fine art photography books

Camera set up at Conimicut Point in Warwick, equipped with a spirit level, filters, and remote release, aimed at the boat “Stugots” anchored against a glowing sunset over the water.

Learn hands-on techniques in my photography workshops—practical, fun, and inspiring.

Photographer Mike Dooley signing a large print of a winter scene at Salter Grove in Warwick, Rhode Island, before it’s installed at the Rhode Island Veterans Home.

Bring peace, beauty, and storytelling into your space with fine art prints.

Get LayersBonus Challenge

Look for a scene with distinct foreground, middle ground, and background elements. Take three shots, adjusting your depth of field to highlight different layers. See how layering creates depth and draws your viewer into the scene.

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Mike Dooley

Mike is a photographer, storyteller, and educator who sees the world through a lens of transformation. His work blends technical mastery with emotional depth—inviting viewers to not just see, but feel. Whether guiding learners through the art of visual storytelling or capturing the quiet poetry of Rhode Island’s landscapes, Mike creates spaces where vulnerability meets clarity. He’s the author of Through My Eyes and the voice behind Behind The Print, a podcast that explores the heart behind the image.

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