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Welcome to Get Low.

Ever have someone stop mid-walk and ask, “Are you okay?” while you’re awkwardly crouched in a puddle or tangled in tall grass? That’s me. Just last winter at Salter Grove, I looked like I’d fallen—totally fine, thank you very much. I was getting low.

And that, my friend, is exactly how low you sometimes need to go to turn a flat, lifeless scene into a photo that grabs attention, even in your own Instagram feed.

You’ve had the adventure. You’ve seen the sun kiss the horizon. You’ve breathed in that crisp winter air. But your memory card? It’s filing away the photographic equivalent of your uncle’s 1973 vacation slide show: safe, flat, and kind of boring. Let’s change that.

Low-angle view of a winter sunrise at Salter Grove, Rhode Island, capturing golden light reflecting off icy puddles and frost-covered rocks, with a dramatic perspective emphasizing the foreground and leading lines toward the horizon.
Getting low can change everything. A winter sunrise at Salter Grove, Rhode Island, from the perspective that had passersby checking if I’d fallen. Sometimes, the best view is closer to the ground.

The Problem: Scenes Deserve Drama, Not Eye-Level Blah

Most photographers, beginners and pros alike, make one crucial mistake: they keep the camera at eye level. They see something of interest, and the hands automatically bring the camera up to their eye. Sure, it’s convenient. Sure, it’s comfortable. But comfort rarely produces jaw-dropping images. Eye-level shots are predictable—they flatten depth, squash textures, and erase the drama the scene naturally has.

When a photo feels flat, it’s rarely the subject’s fault. It’s usually because the shot is missing interest—and intention.

Mike Dooley standing on a sandy beach with the Atlantic Ocean and blue skies in the background, representing his seascape photography work.

The Solution: Get Low, Really Low

Dropping your camera down, sometimes uncomfortably so, changes everything. Here’s why:

  • Foreground Interest Explodes: Rocks, leaves, water ripples—they suddenly dominate the scene, leading the viewer into your frame.
  • Depth Comes Alive: Low angles exaggerate distances, creating layers that make your landscapes feel immersive.
  • Unique Perspective: Everyone sees the horizon. Few photographers get low enough to play with it. You’ll stand out.

Pro Tip

If you’re lying in the snow or crouched in the sand, own it. People will think you’re passionate, committed, or…well, a little weird. Photography isn’t about looking cool—it’s about capturing magic

Behind the Shot:

Sometimes you have to get low. Really low. I’m talking “someone-stop-and-check-if-I’ve-fallen” low. From this perspective, the ordinary rocks and frost became leading lines, the puddles turned into golden mirrors, and the sunrise? It hit me like it was just for me.

Getting lower isn’t just about drama—it’s about immersion. When you drop your viewpoint, your foreground becomes part of the story, adding depth and dimension that flat, eye-level shots can never touch. And yes, you might get a few curious glances from passersby—but trust me, it’s worth it.

Behind the scenes photo of Mike Dooley setting up tripod and camera at Salter Grove, Warwick RI, preparing for a seascape shot.

Get the Gear: What I Use

I am a huge fan of graduated neutral density filters to help take my skies, and neutral density filters to darken the entire frame, helping me create my long exposures!

Try This Tip Today

Next time you’re out shooting:

  1. Lower your camera—try chest height, knee height, or even elbow height.
  2. Look for foreground elements that can lead the eye.
  3. Play with angles and composition.
  4. Don’t worry about looking silly—embrace it.

Your photos will thank you, and so will your memory card. No more flat, boring landscapes that look like they belong in someone else’s vacation scrapbook.

More Ways to Learn & Connect

This is just the tip of the iceberg (or snowbank, in Salter Grove’s case). If you want to dive deeper into dramatic perspectives, creative composition, and landscape secrets that make your friends go “Wow, did you really take that?”—reach out.

Dive deeper into the lessons and stories with my fine art photography books

Mike Dooley, seascape photographer, standing on a sandy beach with a camera bag over his shoulder and tripod in front of him, capturing coastal photography.

Learn hands-on techniques in my photography workshops—practical, fun, and inspiring.

Mike Dooley standing next to a 20x30" fine art metal print at the Through My Eyes book signing

Bring peace, beauty, and storytelling into your space with fine art prints.

Bonus: The Tiny Subject Challenge

Here’s a little challenge to really make “Get Close” stick: grab a tiny subject—a flower, a shell, a rock, or even a crab if you’re feeling brave—and fill the frame. Step closer than feels comfortable. Focus on the details that make it interesting. Take three shots: one wide, one mid, one super tight.

Why? Because the magic of photography happens in the details. The closer you get, the more the world starts telling its story—and your viewer feels like they’re standing right there with you.

Remember our Pro Tip: your feet are your best zoom. Don’t be afraid to move, crouch, or kneel. Perspective is power.

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Mike Dooley

Mike is a photographer, storyteller, and educator who sees the world through a lens of transformation. His work blends technical mastery with emotional depth—inviting viewers to not just see, but feel. Whether guiding learners through the art of visual storytelling or capturing the quiet poetry of Rhode Island’s landscapes, Mike creates spaces where vulnerability meets clarity. He’s the author of Through My Eyes and the voice behind Behind The Print, a podcast that explores the heart behind the image.

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